Mischia tra cavalieri, un ponte e figure isolate

Clash between Horsemen, a Bridge, and Isolated Figures

Leonardo da Vinci

Author
Leonardo da Vinci
(Vinci 1452 - Amboise 1519)
Title
Clash between Horsemen, a Bridge, and Isolated Figures
Catalogue
216
Technique and material
Pen, brown ink, light walnut wood paper

DISPLAY AND CONSERVATION

To avoid deterioration, the drawing must be conserved in a light- and temperature-controlled environment. For this reason, drawings and prints are not always on permanent display.

CLASH BETWEEN HORSEMEN, A BRIDGE, AND ISOLATED FIGURES

Like all of Leonardo da Vinci’s drawings at the Gallerie dell’Accademia, this sheet also comes from the Giuseppe Bossi collection that was acquired, via the abbot Luigi Celotti, in 1822.

The drawing is a study for the Battle of Anghiari, for which Leonardo was commissioned in 1503 by the Florentine Republic for the Hall of the Grand Council in the Palazzo Vecchio. As is well known, Leonardo never finished the painting and what work he had done was subsequently covered by Giorgio Vasari’s frescoes. For this reason, the extant studies are an extraordinary font of knowledge to understand the overall design for the grandiose composition.

The drawing represents the central portion and the right hand side of the epic battle that took place on 29 June 1440 between the Florentine troops, who eventually won, and the Milanese army. It is interesting to note that the bridge in the background, which has been identified as the bridge over the Tiber near which the battle took place, is also included in a drawing held at the Royal Collection in Windsor (inv. 12339) and where there is also a vigorous cavalcade of soldier riding in to offer their support. If the work held at Windsor therefore represents the extreme right of the painting, the central portion was occupied by the so-called Battle of the Standard to which sheet cat. 215 of the Gallerie refers and that was reproduced in the painted copy now at the Uffizi. Our museum also holds a further five drawings that can be seen to refer to Leonardo’s famous conception. These six drawings constitute the most extensive surviving nucleus on the Battle of Anghiari.

 

NOTICE

Due to ongoing restoration work, the Cabinet of Prints and Drawings is temporarily closed for consultation until further notice.

Due to ongoing restoration work, the Cabinet of Prints and Drawings is temporarily closed for consultation until further notice.